Next, I used the dynamic EQ again, but only in the sides, and that was for the purpose of carving out a little bit of two and 2.8kHz in those wide panned guitars. Next, I found there to be an unwanted resonance at about 120, so just stereo traditional EQ, notched that out a little bit. I did this because I wanted the kick drum, which is straight up the middle, to dominate that area of the frequency spectrum. Next, I enlisted the dynamic EQ only in the sides at about 60. First, I did a high pass filter, but only to the sides, because I thought there was some unwanted mud that wasn’t adding anything to the program material, just in the sides. So now let me show you what I did and describe why. The song is really well produced, but there are some problem frequencies and areas where I think that I could enhance what was there. So let’s start by listening to about 45 seconds to a minute of this track. Obviously, he’s got an incredible voice, beautiful tone, great singer. It’s called “Shirt” from the band Plake, featuring Hunter Plake, who was on NBC’s The Voice. The song that I’m going to be using was just released.

So today, I’m going to show you how I would use the Pro-Q 3 when mastering a track. Because of this, I’ve found the Pro-Q 3 to be an excellent tool for when mastering. So what was already a great plugin is even more flexible. The Pro-Q 3 has all of that and even more, including an extremely useful dynamic EQ function, and now, per band, you can choose to apply processing in mid/side mode, which essentially allows you to process the center separate from the sides, you can work in traditional stereo, left, or right. It’s great for cleaning up problem frequencies, it has a mostly transparent sound, tons of great features, and a beautiful user interface that provides you a lot of useful information.

The Pro-Q 2 is something that I use on each and every mix of mine. Hey there, Ian Vargo here from The Pro Audio Files and .įabFilter just released the Pro-Q 3, which is an update to their flagship equalizer plugin.

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